Strict Wife Magazine.

 Back in 2011, fourteen years ago, I started writing a fake magazine called 'Strict Wife'. It started with the cover - suggestive article headlines - hinting at a magazine filled with content for Women in Female Led Relationships. You've probably seen similar kinds of things online. But I went ahead and actually wrote some articles for it and pasted in images I found.

I've been going back to it, on and off ever since. In 2019 I reformatted it and wrote a bunch of new stuff. In fact, one or two full stories began as articles in the spoof magazine and then I developed them into complete stories later.

Also, I sometimes write one-page questionnaires or short things that tongue-in-cheek might be the kind of thing you'd find in a magazine, but in a cuckold/femdom context.  I did these for this blog. "So he called you Mommy during Sex." or "Is he the right boy for you?" or "How to introduce your boyfriend into your marriage." I added those to the magazine as I did them too.

Avery Cristy is not a featured editor.

Now, with all the accumulated content  it's over 100 pages, with a lot of illustrations and images - all cribbed from the internet. 

Over time, the form and tone solidified. The magazine is supposedly written by a group of contributing editors - all women. The audience is women in FLR marriages, or who are at least FLR-curious. They conduct surveys, interview leading psychologists, publish letters, and do special series on aspects of female-led-marriages. 

There's an explicit tone and a meta-tone. On the surface, this is all serious, scholarly work for the FLR community. Their core philosophy is that men are to be loved and cherished, but many of them are weak-willed, submissive creatures who are much happier in loving, but submissive relationships with their wives. They are not to be casually abused, but physical correction can have it's place. Cuckolding is a natural, but not essential progression for a wife-led marriage. 

The meta-tone is tongue-in-cheek, rather than ironic. The parallels between a typical womens' interest magazine article and those in Strict Wife is meant to be funny. The tone of condescending affection for husbands, while advising on how to break their spirit or control their lives is also humorously intended.

This tone hides the both subtle and explicit fact that the whole magazine is about love. Even in the most outre femdom articles about cuckolding or pegging or, God-help-us, castration, the voices of the authors or readers always come back to the love they have for their husbands and their husbands for them. This stuff only works in a loving context. If you don't love your wife, then you might get angry if she sleeps with someone else, but for gut-wrenching emotional and erotic reaction, you need to love her. Similarly, many of the articles are about the emotional effort required to properly train and condition a husband. All throughout these, there's the stated caveat, that if you don't love him, then what's the point?

Loving wives care about their husband's reputation.

And the articles feed into other writing or are spin-offs from stories I'm working on. One example is the "Your Boys" article - still unfinished. In it, I wrote short excerpts from women in cuckolding FLR relationships where they discussed the confusing relationships between their husbands and their sexual partners. One of those is clearly the Ashley, Dave and Mike relationship from Dave McManus's The Reluctant Cuckold series.

So if you're interested in Reluctant Cuckold, and my attempts at a third part, here's that article (unfinished) as images - sharing the pdf is beyond blogger.

 

 

I may publish the whole thing one day but (a) many articles are unfinished (b) Some of the layout is awful, and needs a lot of work, and (c) tons of stolen images, so maybe not.

Have you been Caught?

 

Anna Claire Clouds PMV

Anna Claire Clouds PMV

 As I may have written a few times already, sometimes when I start a PMV I get very enthusiastic about and idea and then run out of steam. But sometimes, I get really into it and plough through very quickly. The difference, always, is the pornstar. And it's never how they look, but how they act in scenes.

Anna introduces herself.

Anna Claire Clouds is one of those stars that just seems to leap out of the screen. Glances, sounds, smiles, movement. She does everything so well and she's done a bunch of great scenes. She's on a career high right now, and the main thing that slowed me down on this one was that new scenes kept coming out that I felt I had to include.

Amazing scene from Amateur Allure

For this, I used two Chemical Brothers tracks, ElektroBank and Hey Boy, Hey Girl. I don't transition between them very well, partly because ElektroBank has a stupid MC part at the end and then starts really suddenly. There's no way to blend it in easily. This also makes this quite long. To be honest I had trouble finding where to cut it off. 

Only ACC is in this. She's done many many threesome and girl-girl scenes and as usual I skipped all of those so I can concentrate on her and her amazing face. I find including scenes with another actor just doesn't feel right.

Anna really puts it all into her performance

So, what's so great about her? First off - she has incredible energy. She's incapable of just lying there. She's bucking, she's writhing, she's pushing back, she's grabbing at her partner. She's also so into the scene that at times her partners seem to be just clinging on for dear life.

Anna looks amazing

Secondly, like all my favorites she gives those amazing glances under her eyelashes to the camera. I never like scenes with no eye contact and Anna just can't help catching the camera over and over. Picking out those clips was a pleasure. There's an eyelid flick around every corner and each one is more expressive than the last.

Kissing dominates the whole break section.

But what really makes her stand out is kissing. Anna kisses her partner in almost every scene she does. And not just some fake, over-directed things. She grabs them, throws an arm around them and works her face onto theirs. She loves kissing and nothing makes a scene better. I include a couple of long sections where she's just throwing herself at her partners, sometimes to their obvious shock and surprise.

There's no fancy effects or editing tricks in this. It's practically all just zoom and pan, pan and zoom. I colour-corrected some clips where the edits jarred, but apart form that it's all just Anna as the original file was published, with each clip cut to the beat of each track.

New Cartoon

 A while ago, I did this.

I've been working on another video - not a sequel, but the same style, ever since.

The basic story here is - our hero has cuckold fantasies - he jerks off to internet dommes and cuckold porn, but he doesn't ever imagine his actual wife in these scenarios - he just likes the porn. 

Then his wife, played by Eva Lovia gets a job offer to work on a TV show in L.A. - a big opportunity for her, but it will mean a month away from home. Thinking this will be a great opportunity to really indulge his cuck porn addiction, he encourages her, and even calls in a favour from an old college buddy who is now a bigshot TV producer to help secure her the job. 

There's a tearful goodbye as she jets off. But before he gets a chance to revel in the privacy and his cuck porn collection, his wife calls to say her sister needs a place to stay for a while , so shes going to move into their spare room for an open-ended period.

His sister in law, played by Emma Lux, is totally different to his innocent wife. She sees straight through him to see the beta cuck loser he really is. Within days she's ferreted out his porn collection, his online accounts and his particular shameful fetish. 

Emma explains the awful truth.

She blackmails and manipulates him, and within a couple of weeks he's been manoeuvred intoto agreeing to his wife cucking him in LA with the friend he called in the favour for. Emma makes this look like it's all his idea. There's a series of escalating video calls with his wife as she casting-couches her way to success, where he has to pretend he's cool with all this. Meanwhile the sister in law humiliates, teases and bullies him at home. 

There's quite a bit of ambiguity and double-meaning in the conversations between Peter and Eva, where he thinks she's asking his agreement for her to interview for bigger roles, but it could also mean she's asking if he's okay with her hooking up with his friend.

In the scenes with Emma, she never explicitly blackmails him, although she's sure to leave that impression as she takes compromising photos and videos of him.

I'm happy with the casting choices. I have a ton of clips of Eva on the phone, doing cam stuff, interviews etc. And her higher-class videos for Digital Playground and Vixen have loads of story elements.  Emma is just so deliciously mean and has done so much content it's relatively easy to find clips that work.

As before though, the whole process of cutting, copying, prequelling and porting the files is a pain. Also, the timing and pacing is so awkward in Premiere - getting text and visuals to line up in interesting ways is painful and making edits to them is exasperating as you work with the video, frames, text boxes etc. etc.

The process pf writing it, is even more organic than with a standard PMV. I have a rough outline of where the scene is going, pick clips for that, lay them out, switch the positions, closeups etc. so it has some visual interest. But making text match the visual to match the text is a back-and-forth balancing act, so when I have a good scene I'll try to write dialog to match it, but other times I can't write what I want because there's no clip that can make it work visually. 

Emma reassures her cuck

The main problem though is that I tend to write dialog-heavy, over-written screeds of text. Cutting it down to the most-impactful essentials is really difficult. Comics are not supposed to be walls of text with a few pictures. I have to constantly fight the urge to blurb ever longer paragraphs into text boxes. This is a battle I am consistently losing.

My appreciation for comic writers and artists grows all the time. Even if I had complete freedom to create any image in a panel I don't think I could do much better than my clumsy efforts. Brevity, and show-don't-tell are the hardest things to master. 

I estmate this is around two thirds towards a complete first draft. But I have to go back and fix timings in a lot of places, and where I've done simple text boxes and a frame of video or two, I need to rework sections so it's more visually arresting. Plus, groan, a lot of the text needs to be edited down to make it concise. The groan there is that reducing text means reducing video length with all the knock-on effects. 

I'm constantly amazed at the visual impact that this cartoon filter has. I'm working with images of two of the most beautiful women, ever, but when I lay out the cartoonified images they have an impact that seems even greater than the originals. Does this mean I'm intimidated by real women and really see them as unreal fantasy figures? Yes, probably. In fact, that should have been obvious some time ago.

Cuck therapy.

As usual the idea of publishing this gives me the heebie jeebies. Not that it's disturbing - as usual the whole story is suffused with love and affection. There's always a happy-ever-after for me. But even more than with a PMV, I've taken clips of performers work and mashed them into something else. I've put words in their mouths and presented the whole as my own work. I doubt Eva Lovia would care one jot at this time, but Emma Lux is a working performer making amazing content. I doubt she'd give permission for this to be published and worse, she might be really annoyed and upset about it. Making either of them unhappy is a horrible idea. 

I plan to send Emma a message telling her about it. While it's not her words, and the video is changed, who know, she might like it, and I'll put promotional messages for her IWC and onlyfans all over it. Eva is a different matter, she has her podcast now, and I can't imagine there's a bunch of cuck-hounds who want to subscribe to it. Though of course, there's just her coffee tip-jar thing, so maybe I could promote that.

This is just window-dressing to assuage my guilt at stealing their content and repurposing it of course. 

Working on the project is fun, but frustrating. I don't get to write at the pace I'd like. The visuals make it more restrictive and editing is a pain. But, working on the double path where the text feeds off the available scenes and the visuals inspire the text is very satisfying. 

I think this one will finish up being around twelve minutes long. I'm sometimes inclined to write it as an actual story but I'd feel guilty about writing anything while Ashley Mike and Dave linger on my hard drive, accusing me when I waste hours on other stuff.