New Cartoon

 A while ago, I did this.

I've been working on another video - not a sequel, but the same style, ever since.

The basic story here is - our hero has cuckold fantasies - he jerks off to internet dommes and cuckold porn, but he doesn't ever imagine his actual wife in these scenarios - he just likes the porn. 

Then his wife, played by Eva Lovia gets a job offer to work on a TV show in L.A. - a big opportunity for her, but it will mean a month away from home. Thinking this will be a great opportunity to really indulge his cuck porn addiction, he encourages her, and even calls in a favour from an old college buddy who is now a bigshot TV producer to help secure her the job. 

There's a tearful goodbye as she jets off. But before he gets a chance to revel in the privacy and his cuck porn collection, his wife calls to say her sister needs a place to stay for a while , so shes going to move into their spare room for an open-ended period.

His sister in law, played by Emma Lux, is totally different to his innocent wife. She sees straight through him to see the beta cuck loser he really is. Within days she's ferreted out his porn collection, his online accounts and his particular shameful fetish. 

Emma explains the awful truth.

She blackmails and manipulates him, and within a couple of weeks he's been manoeuvred intoto agreeing to his wife cucking him in LA with the friend he called in the favour for. Emma makes this look like it's all his idea. There's a series of escalating video calls with his wife as she casting-couches her way to success, where he has to pretend he's cool with all this. Meanwhile the sister in law humiliates, teases and bullies him at home. 

There's quite a bit of ambiguity and double-meaning in the conversations between Peter and Eva, where he thinks she's asking his agreement for her to interview for bigger roles, but it could also mean she's asking if he's okay with her hooking up with his friend.

In the scenes with Emma, she never explicitly blackmails him, although she's sure to leave that impression as she takes compromising photos and videos of him.

I'm happy with the casting choices. I have a ton of clips of Eva on the phone, doing cam stuff, interviews etc. And her higher-class videos for Digital Playground and Vixen have loads of story elements.  Emma is just so deliciously mean and has done so much content it's relatively easy to find clips that work.

As before though, the whole process of cutting, copying, prequelling and porting the files is a pain. Also, the timing and pacing is so awkward in Premiere - getting text and visuals to line up in interesting ways is painful and making edits to them is exasperating as you work with the video, frames, text boxes etc. etc.

The process pf writing it, is even more organic than with a standard PMV. I have a rough outline of where the scene is going, pick clips for that, lay them out, switch the positions, closeups etc. so it has some visual interest. But making text match the visual to match the text is a back-and-forth balancing act, so when I have a good scene I'll try to write dialog to match it, but other times I can't write what I want because there's no clip that can make it work visually. 

Emma reassures her cuck

The main problem though is that I tend to write dialog-heavy, over-written screeds of text. Cutting it down to the most-impactful essentials is really difficult. Comics are not supposed to be walls of text with a few pictures. I have to constantly fight the urge to blurb ever longer paragraphs into text boxes. This is a battle I am consistently losing.

My appreciation for comic writers and artists grows all the time. Even if I had complete freedom to create any image in a panel I don't think I could do much better than my clumsy efforts. Brevity, and show-don't-tell are the hardest things to master. 

I estmate this is around two thirds towards a complete first draft. But I have to go back and fix timings in a lot of places, and where I've done simple text boxes and a frame of video or two, I need to rework sections so it's more visually arresting. Plus, groan, a lot of the text needs to be edited down to make it concise. The groan there is that reducing text means reducing video length with all the knock-on effects. 

I'm constantly amazed at the visual impact that this cartoon filter has. I'm working with images of two of the most beautiful women, ever, but when I lay out the cartoonified images they have an impact that seems even greater than the originals. Does this mean I'm intimidated by real women and really see them as unreal fantasy figures? Yes, probably. In fact, that should have been obvious some time ago.

Cuck therapy.

As usual the idea of publishing this gives me the heebie jeebies. Not that it's disturbing - as usual the whole story is suffused with love and affection. There's always a happy-ever-after for me. But even more than with a PMV, I've taken clips of performers work and mashed them into something else. I've put words in their mouths and presented the whole as my own work. I doubt Eva Lovia would care one jot at this time, but Emma Lux is a working performer making amazing content. I doubt she'd give permission for this to be published and worse, she might be really annoyed and upset about it. Making either of them unhappy is a horrible idea. 

I plan to send Emma a message telling her about it. While it's not her words, and the video is changed, who know, she might like it, and I'll put promotional messages for her IWC and onlyfans all over it. Eva is a different matter, she has her podcast now, and I can't imagine there's a bunch of cuck-hounds who want to subscribe to it. Though of course, there's just her coffee tip-jar thing, so maybe I could promote that.

This is just window-dressing to assuage my guilt at stealing their content and repurposing it of course. 

Working on the project is fun, but frustrating. I don't get to write at the pace I'd like. The visuals make it more restrictive and editing is a pain. But, working on the double path where the text feeds off the available scenes and the visuals inspire the text is very satisfying. 

I think this one will finish up being around twelve minutes long. I'm sometimes inclined to write it as an actual story but I'd feel guilty about writing anything while Ashley Mike and Dave linger on my hard drive, accusing me when I waste hours on other stuff.